A PAINTING LEGACY
Our company history spans over 4 generations of painting excellence in WA both North and South of the river. You’d be hard-pressed not to find a suburb that hasn’t been touched by a Bullied or Van Didden’s paintbrush at one time or another.
Reasons for painters Registration
When looking for a painter, it is important they are registered… and this is the story why!
The Association was receiving telephone calls from customers who were having problems with the workmanship of the painting contractors. This started out as a trickle but by the late 50s it had become a flood. In 1953 the Association investigated over 20 cases in Perth alone. It had no power to instruct the painter to rectify shoddy work and it had no control over non-members painting contractors. The Association's members on the other hand we're obligated to abide by standards of the code of ethics.
After the Second World War and throughout the 1950s, a flood of migrants transformed the shape of Australian society. Australia suffered a huge shortage of workers for the nations reconstruction efforts and Australia embarked on a programme to boost its population. In 1950, it was estimated that 170,000 immigrants arrived in Australia. By the end of the decade this figure would reach 1,000,000. Most immigrants came from Britain, are European countries, such as Netherlands, Greece and Italy.
This was in part one of the reasons for the influx of unskilled tradesmen carrying out painting work. This was a problem the Association had to control as it was affecting the reputation of the painting industry, its members and the apprenticeship training system. Why do a five year apprenticeship when you can just pick up a brush and start painting?
David Sterling put forward an idea to the Executive Committee that some form of licencing or registration of painting contractors could be the answer to the problem. A development subcommittee was formed which consisted of David Sterling, Reginald Bullied, Ernest Flade and James White. By the end of 1958 this subcommittee had produced a draught document that they thought would encompass their ideas to protect the painting industry. Their next step was to lobby the newly elected Labour Country Party State Government who's Premier was the late Sir David Brand.
David Sterling and Jimmy White was chosen to act as lobbyists, both had contacts within the Liberal and Labour Parties. In the last month of that year they had meetings with several Cabinet Ministers who interviewed them at length. They were sympathetic to the principle of the registration and the reason behind it. By the end of the year there had been no decision on the Registration Bill even though it had been discussed in Cabinet, getting the Bill through Parliament turned out to be more difficult than envisaged. So far the Association had spent about 110 pounds. This would equate to about $8000 in today's money, they believed the money was well worth spent.
Over the next two years the Association continued to lobby the Government to put the Registration Bill through Parliament but without success and it was eventually rejected.
Reg Bullied with the assistance of Jimmy White was able to gain the support of the Hon Herb Graham MLA member of the opposition Labour Party for the principle and he agreed to introduce it into Parliament as a Private Members Bill.
One of the key components in the original concept was far the Association to be the administrators of the Painting Registration Board, after its passage and amendments two it's adoption the association was informed that it would be a Government controlled Board, paid for by the Painting Industry.
The Painting Registration Act was established in 1961. Its main purpose was to provide protection for customers and the industry. The Bill provided that before a person could engage in painting, other than as an employee, that person had to be registered and was required to obtain qualifications prior to registration. The rationale was that in addition to having served an apprenticeship or acquiring painting skills through experience, a painter should have adequate business skills. The Painters Registration Board commenced on January 1st 1963.
The Board structure would be a Chairman and Nominees from the Chamber of Commerce and Industry. The Master Painters Decorators & Signwriters Association of WA Consumer Affairs and the Operative Painters Union. Reg Bullied Sr became its first voluntary inspector and M Silver & Son the first registered painter.
The process of developing the Painters Registration Act from its conception in 1957 to its enactment in 1963 was a six year marathon and it was the tenacity and perseverance of the development committee that saw it through to the end.
Information from Artisans & Visionaries by Kenneth Carde